The song was on the band's second album, 1968's live Undead. Lee's blues-rock band, Ten Years After, delivered a gripping 11-minute performance of I'm Going Home at the 1969 Woodstock festival, an inarguable highlight even against marquee acts Jimi Hendrix and The Who. The world has lost a truly great and gifted musician." The statement from his family said, "We have lost a wonderful and much loved father and companion. His website reports that Lee "passed away early this morning after unforeseen complications following a routine surgical procedure." British guitar great Alvin Lee, who rose to global fame with a fiery performance at Woodstock, died Wednesday at age 68.
The best way to hear this classic album is in its punchier mono mix, available on vinyl for the first time in 50 years and faithfully packaged with all of the original iridescent psychedelic cover art intact. Condition: Brand New Back Order 11.69 12.00 You can only place this item in your reserve list. And beneath it all, there was the metronomic telepathy of the Ric Lee/Leo Lyons rhythm section. It was no one-man show, either - as organist Chick Churchill takes the lead on "Adventures of a Young Organ" and buttresses "Losing the Dogs" with some rollicking Jerry Lee Lewis piano. But even at this early stage, Ten Years After was no cover act - throwing originals like the Robert Johnson-inspired "Love Until I Die," the country acoustic blues of "Don't Want You Woman" and the swingin' boogie of "Feel It for Me" into the mix. If those three aren't enough evidence of the band's ability, then a spruced-up "I Want to Know," first done by Eric Clapton and the Powerhouse on the legendary What's Shakin' comp (also reissued by Sundazed), certainly seals the deal. The latter allows Alvin Lee to cut loose with the fast licks for which he would become best known, but he was also capable of subtler, more impressionistic soloing on a stellar remake of the Blues Project's "I Can't Keep From Crying, Sometimes." They rival Cream on a powerful cover of "Spoonful," which sports a heavy rhythm drive also evident on their extended jam version of "Help Me" that builds and builds to stratospheric heights. And by the time the band electrified half a million hippies at Woodstock two years later, the world was roaring its approval.Ĭut live with vocals overdubbed later, Ten Years After is an impressive debut, showing off a tight band steeped not only in blues, but rockabilly, jazz, folk and even occasionally psychedelia.
Ten Years After's self-titled debut hit the British blues scene with the subtlety and precision of a wrecking ball in 1967, serving notice that what had once been confined to steamy haunts in London was now there for the world to hear. The electrifying Ten Years After! A premium RTI Pressing, from the original U.K.
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